GEORGE ORWELL

attack on the Anglo-Indian" (New Statesman). It is also the story of a sensitive lonely Englishman with an affection for the Burmese, and a longing for a particular young Englishwoman, who finds himself trapped by a dishonest system and oppressive society. InA Clergyman's Daughter,a weak-willed unhappy spinster, daughter of a disagreeable clergyman in a small East Anglian village, achieves a brief and accidental liberation from her mundane life. However, Orwell's biographer D. J. Taylor, writes "The great fascination ofA Clergyman's Daughteris that it is essentially the same plot ofNineteen Eighty-Four, which doesn't appear until fourteen years later. It's about somebody who is spied upon, and eavesdropped upon, and oppressed by vast exterior forces they can do nothing about. The last scene ofA Clergyman's Daughterhas Dorothy back in her father's rectory in Suffolk, still doing the mundane, routine tasks that she was doing at the start of the novel, having rebelled against the life she's enmeshed in still. Just like Winston Smith inNineteen Eighty-Four, she's had to come to a kind of accommodation with it. It's a very prophetic novel in terms of what came later in Orwell's writing." TheAspidistrais a plant that tenaciously survives forever on many British windowsills, without ever thriving. It is a metaphor for the life of the British lower-middle class.Keep the Apsidistra Flyingis a pointed observation of the British class system which is based on the worship of the Money God: And now abideth faith, hope, money, these three; but the greatest of these is money.(George Orwell,Keep the Apsidistra Flying). Don't you see that a man's whole personality is bound up with his income? His personality is his income.(George Orwell,Keep the Apsidistra Flying). Coming up for Airis remarkably prescient. It foresees the scourges of poverty and totalitarianism as well as the destruction of the environment, decades before Rachel Carson'sSilent Spring: "What makesComing Up for Airso peculiarly bitter to the taste is that, in addition to calling up the twin spectres of totalitarianism and workless poverty, it also declares the impossibility of 'retaining one's childhood love of such things as trees, fishes, butterflies' - because it postulates a world in which these things are simply not there any more." (John Wain, In the Thirties: The World of George Orwell.) This reasonably-priced volume will be a pleasure to anyone with an interest in Orwell.